Foto: Alex Gouliaev

Wendy Perras schreibt am 1.12.14 im Dance Magazine Blog über Diana Vishnewa:
“Vishneva also danced a sharply anxious duet with the Bolshoi’s Andrei Mercuriev in Paul Lightfoot and Sol Leon’s Subject to Change. Her last offering was the bravest: Marco Goecke’s obsessive solo Tué (“killed”). Typical of his characters, she was uncontrollable in her twitches, jabbings and snappings; she sometimes looked like a preying mantis on amphetamine. In the rare slow moves when she seemed to come back to herself, the sense of short-lived freedom was almost unbearably beautiful.” – See more at: http://www.dancemagazine.com/blogs/wendy/6191#sthash.UObsPBJn.dpuf

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